Training

As an advocate of lifelong learning, Kim maintains a keen interest in current vocal research, methodologies and latest pedagogical practice. To this end, she attends regular, ongoing training such as the following:

2010

  • BVA “Choice for Voice 2010″ 3-day conference (Royal Academy of Music, London, 2010)
  • Vocal Process “The Developing Voice” with Dr. Jenevora Williams (Royal Academy of Dramatic Art, London, 2010)
  • Independent Dyslexia Services “Dyslexia, SpLDs and Contemporary Music Training” (Tech Music Schools, London, 2010)

2009

  • BVA “Interactive Rock and Pop” day (“Headliners” Comedy Club, Chiswick, 2009)
  • “8th Pan European Voice Conference (PEVOC8)” 3-day event (Dresden, Germany, 2009)
  • BVA Study Day “Tricks of the Trade” (International Student House, London, 2009)
  •  “Practice Makes Perfect” – Meribeth Dayme (London, 2009)
  • BVA “Seeing and Hearing Voice” (University College London, 2009)
  • “Occupational Voice Symposium” (University College London, 2009)
  • Vocal Process “Computer Voice Training” (London, 2009)

2008

  • “Complete Vocal Technique” workshop with Cathrine Sadolin (London, 2008)
  • BVA “Choice for Voice 2008″ 3-day conference (Guildhall School of Music, London, 2008)
  • Voice Clinics with Gary Wood (Royal National Throat Nose Ear Hospital, London, 2008 and 2007)
  • BVA “Voice Clinic Forum” (Hammersmith Hospital, London, 2008)
  • Vocal Process “Muscles Alive” with Jacob Lieberman (University of London, 2008)

2007

  • Vocal Process “Voice of Violence” with Lise Olson (London, 2007)
  • BVA “Interactive Rock and Pop” day (Royal Academy of Music, London, 2007)
  • “7th Pan European Voice Conference (PEVOC7)” 3-day event (Groeningen, Netherlands, 2007)
  • BVA Study Day (Royal Academy of Music, London, 2007)
  • Netvotech Day (Institute of Education, London, 2007)

2006

  • “Mapping Complexity: Recent Developments in the Estill Voice Model” (Royal Marsden Hospital, London, 2006)
  • “Articulation: The unexplored key to vocal efficiency” with Ron Morris (Novartis Foundation, 2006)
  • “Teaching Excellence”  (London College of Music, 2006)
  • “Accent Method” with Matthew Reeve and Klaus Moller (Mountview Academy, London, 2006)
  • “Performance Psychology” (Tech Music Schools, London, 2006)

2005

  • Dr. Meribeth Dayme masterclass (Mayfair, London, 2005)
  • "6th Pan European Voice Conference (PEVOC6)" 3-day event (Royal Academy of Music, London, 2005)
  • "Breathing, Support and Estill" (Royal Academy of Music, London, 2005)
  • “Estill Demonstration Day” (Royal Academy of Music, London, 2005)
  • Dr. Meribeth Dayme “Vocal Anatomy for Singers” 3-day course (London, 2005)

2004

  • “Presence in Performance” (London, 2004)
  • BVA “Rock, Pop and Noise” 3-day conference (Royal Academy of Music, London, 2004)
  • “Take 6” Workshop on Vocal Arranging (Symphony Hall, Birmingham, 2004)
  • “Speech Level Singing” master class by Seth Riggs and Dave Stroud (Royal Academy of Music, London,  2004)
  • Vocal Process “Advanced Core Training” weekend course (Academy of Contemporary Music, Guildford, 2004)

2000-2003

  •  “Speech Level Singing” – Masterclass by  Dave Stroud (Royal Academy of Music, London,  2003 and 2000)
  • Vocal Process “Process to Pop” by Gill Main (London, 2003)
  • Vocal Process “Belting Explained” (London, 2002)
  • "Estill Voice Craft" Certificate Levels  1 and 2 (Royal Academy of Music, London, 2001)
  • "Art of Teaching Singing" Certificate – Semester long course (London College of Music, 2001)
  • “Alexander Technique” – Malcolm Williamson (London College of Music, 2000)

 

Qualifications

 

Memberships

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